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1983 Romanillos | A Distant Wind by Frank A. Wallace
08:00

1983 Romanillos | A Distant Wind by Frank A. Wallace

A Distant Wind | a medieval romance for solo guitar in two movements by Frank A. Wallace played on 1983 Romanillos Thanks to Aaron Green for the use of his gorgeous and rare guitars for these videos. Learn more: http://www.vintageclassicalguitars.net BUY sheet music & learn more: http://gyremusic.com/products/distant-wind/ A GIFT TO BO AND CHRIS I wrote A Distant Wind as a gift for Bo Isholm, his wife Hanna, and Connecticut guitarist Christopher Ladd. In July of 2018 Chris traveled to Torshavn, Faroe Islands where Bo and Hanna live. Together with Ragnar Olsen, guitar; and Angelika Nielsen, violin; they performed new works by Kristian Blak and myself at the 2018 SUMMARTÓNAR Festival. Bo is a guitarist, lutenist, teacher and former music school administrator. I met him in the summer of 2011 on a tour he helped organize in the Faroe Islands. The region is a small wonder of nature—home to grass, sky, ocean, humans, sheep and birds! The appearance is stark, but the amazing variety of color and light through clouds and mist is captivating. Chris is a long time friend who teaches at the Hartt School of Music in Hartford, CT. He and I share a deep love of chamber music, and Chris performs in various ensembles with other guitars, flute, violin and more. I have written music for Chris in the past and he has performed several of my solo works as well as ensemble pieces, most notably As It Could Be, commissioned by the Hartt School for their 50th Anniversary commemoration of the guitar department and its founder Richard Provost. ROMANCE WITH THE PAST The term romance has many meanings: excitement in love; a dream come true, a ballad in ancient literature, lush music or painting. I refer to A Distant Wind as a romance for all these reasons. The distant wind refers to the past coming back to life with new meaning for now. The piece develops from a starkly medieval style to a romantic ending. Bo and I share many paths on the course of life, and one is a romance with ancient music as well as modern. We have had romances with both lute and guitar at various periods in our lives. And so the transformation in the music represents our own love of all life and times. Bo and I also have romances with our wives. Recent struggles with health issues for all four of us have made those relationships even deeper and more important. I pray for Hanna and Bo in their difficult time, and I hope this small offering may be of spiritual delight to them. I know Chris also shares a deep connection with his wife and family. ROMANCE WITH THE ISLANDS Having performed there in 2011, I was invited to return to the Faroes in the fall of 2017 to play with Bo and present music of fellow Faroese musician Kristian Blak and myself. Kristian is the director of Summartonar Festival, a summer long celebration of life, art and music in the Faroes. The deep spirituality of the people is evident from the minute one sets foot in a home. Walls are covered in art, couches adorned with homemade wool weaving and pillows. Everyone seems to be an artist and the festival reflects this deep connection to human creativity. Life interrupted my plans. Serious illness forced me to cancel my trip. Bo told me then that major health issues were effecting a close member of his family. But the show goes on, and so I completed Gryphon for violin and guitar this past winter. I finished my arrangement of an earlier song for three guitars and violin called Woolgathering and I found a dear friend to substitute for my presence—Christopher Ladd of the Hartt School in Hartford CT. The second movement, is dedicated to Chris in thanks for his loyalty and adventuresome spirit. THE MUSIC A Distant Wind hearkens back to medieval times with the use of parallel fourths and fifths. These open harmonies were the harbinger of polyphony about a thousand years ago. I performed this music in the 1970’s and 80’s with Trio LiveOak. In the Middle Ages beautiful resonances were achieved by very simple harmonic means with two or three voices and the same approach is vibrant on the guitar; I enjoy working in this archaic style. TWO MOVEMENTS I have written several solo works for both guitar and mandolin in two sections, always with a dramatic slow first movement and a fleet presto to follow. Each has been named after an iconic bird: White Albatross, Blue Heron, Caracara, Black Falcon. This piece fits the mold and so I name each movement for two great sea birds of the Faroes. I) Tjaldur: The Eurasian oystercatcher (Haematopus ostralegus). Their annual arrival on about 12 March is celebrated by the Faroese people as the start of spring. For this reason, the tjaldur is recognized as the national bird of the Faroes. II) Drunnhvíti: The European storm petrel (Hydrobates pelagicus), or drunnhvíti, can be best observed in Nólsoy in the biggest colony of the species in the world. All Frank A. Wallace editions are published by Gyre Music at http://www.gyremusic.com/products/distant-wind/
Mi Jardín de Calla - Torshavn, 2011
04:15

Mi Jardín de Calla - Torshavn, 2011

Score available at www.gyremusic.com. Mi Jardín de Calla was written in the winter of 2007 as a solo song for voice and guitar to be performed in the spring on an evening of "The Music of Frank Wallace". As concert plans progressed, I took the opportunity to use all 12 performers and arranged the piece for flute, cello, two singers and 4 guitar parts (doubled). My partner Nancy Knowles wrote the poem when we were on tour in Peru in the summer of 2005. The poem describes a beautiful "cloisters" in the center of Arequipa where the gentle breezes easily whisper through the open hallways and salons. Click here to see Knowles' beautiful photographic essay from that tour, Mi Jardín de Calla - http://www.nancyknowles.com/images/jardin2005/index.htm. This performance is by students of the Music School of Tórshavn, Faroe Islands. It was also performed at an evening of my music, but in a faraway land. Duo LiveOak toured the Faroe Islands thanks to Kristian Blak and the Summartónar Music Festival and Bo Isholm, director of the School - together they invited Duo LiveOak to visit the Faroes for a week of concerts and teaching (and exploring) in June 2011. Spanish and English version by: Nancy Knowles A través de cuantos siglos cuantas amenazas miles de corredores corregidores salas e iglesias cuartos vacíos donde transcurre el aire los gritos ya lejanos: mi jardín de calla. Across how many centuries how many threats thousands of corridors magistrates halls and churches empty rooms where runs the air the cries now from afar: my garden of calm. Video and photography by Nancy Knowles: www.nancyknowles.com Frank Wallace editions are published by Gyre Music at www.gyremusic.com.
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